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Yarnauwi Farm

~ Fleurieu Peninsula, South Australia

Yarnauwi Farm

Tag Archives: art

The Salvage Season

23 Monday Mar 2015

Posted by Joel in art & craft, ecology, history, regeneration, waterways

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Tags

art, ecology, erosion, farm, history, photography, southwestern Fleurieu, waste, waterways

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The steely gaze of a doll, complete with an electrical tape necklace.

With the chilling of the air, it’s time for us to don our gloves and get stuck into mining the junk that lines the banks and bed of our erosion gullies. It’s become an annual tradition to pick a path through chest-high phalaris, filling bags with debris. It’s scratchy, dusty work, with plastic milk bottles and the remains of plastic bags collapsing into confetti with the gentlest of touches. Yet despite the discomfort, we can’t help but have a forensic fascination with what we unearth. Each discovery is a cryptic clue into the lives of our predecessors, those who decided that the headwaters of a creek would be the best place for their unwanted bric-a-brac.

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A broken clock amid bones. We’ll leave you to come up with your own metaphors.

Continue reading →

Upcycling a farm sign

15 Sunday Mar 2015

Posted by Joel in art & craft, diy

≈ 8 Comments

Tags

art, craft, design, farm, fencing, logo, recycling, reuse, southwestern Fleurieu

IMG_5895Now that we have a new entry to the property, it was time to knock together a sign announcing the property’s name. In August 2014, we were granted the name Yarnauwi by Kaurna Warra Pintyanthi, a property name that both describes the landscape (“bald (hills) water”), and references the traditional meeting ground Yarnauwingga just beyond the back fence.

In the spirit of our intentions for the property, the sign is entirely constructed from materials salvaged from around the farm: a surviving piece of corrugated iron and timbers seasoned in the mud and sun of the gully floors. The text and logo are stencilled with spray-paint. The rather wonky nature of the timbers made it tricky to hang, but we’re reasonably confident it’s level-ish. Give it a honk next time you’re passing!

Maintain the rain! Piecing together the past to imagine a future

05 Thursday Mar 2015

Posted by Joel in ecology, history, planning, regeneration, trees, waterways

≈ 2 Comments

Tags

art, ecology, erosion, farm, history, livestock, photography, planning, revegetation, seasons, soil, southwestern Fleurieu, summer, trees, water, waterways, winter

It’s been a dry year on the Fleurieu Peninsula. After the inundation of 2013, 2014’s rainfall came in almost 200mm shy of the year before, and about 100mm short of the average. By February 2015, the dam had receded to a few centimetres of sludge, and the water carter had come to top up the stock water tanks. While there’s no doubt that the Fleurieu Peninsula has had the Mediterranean pattern of dry summers and cool, wet winters for some time, recently I’ve begun to wonder whether this pattern has shifted towards greater aridity as successive land-uses have cleared the landscape.

Curruckalinga, looking over St. Vincent’s Gulf, 1846, George French Angas, depicting a mosaic of woodland and open grassland. From the description: “This view is taken from the rocky hills near Mr Kemmis’s Station, to the northward of Rapid Bay … The undulating appearance of the country here represented, together with the singular manner in which the trees are dotted about in all directions over the landscape … principally ‘casuarinae’ or she-oak, with ‘eucalyptus’.” From the collection of the State Library of South Australia, B15276/33.

At the time of European colonisation, the Fleurieu Peninsula was most likely covered with a mosaic of woodland, forest and grasslands, maintained through Aboriginal burning and land management practices. In his paper on the discovery and settlement of the Fleurieu (1986), Rob Linn draws from the diaries of settlers in his descriptions of the landscape of the South Western Fleurieu. Writing in 1838, William Giles described the landscape around Rapid Bay, as “a most beautiful valley, the soil of great depth covered with most luxuriant herbage … on the sides of these hills we found plenty of keep for sheep, and wherever the grass had been burnt in these places it was looking beautifully verdant … fine land, excellent water, plenty of timber …” This was echoed by John Stephens in 1839, describing the “country from Cape Jervis upwards” as “very picturesque” and “well-timbered” (Linn 1986). Continue reading →

New artwork: Cape Willoughby, Kangaroo Island

28 Sunday Dec 2014

Posted by Joel in art & craft, diy, exploring

≈ 9 Comments

Tags

art, craft, design, water

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Cape Willoughby, 2014, two-colour lino print, Joel Catchlove

As part of my current experimentation with linocuts, here’s a two-colour imagining of Cape Willoughby, Kangaroo Island, inspired by a visit earlier in 2014. I need to work on my registration to make sure the prints line up more precisely!

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Prints drying.

 

 

Passover

01 Monday Dec 2014

Posted by Joel in art & craft, ecology

≈ 5 Comments

Tags

art, farm, photography, seasons, southwestern Fleurieu, water

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Another thunderstorm passes by.

 

Fleurieu Seascapes

25 Thursday Sep 2014

Posted by Joel in art & craft, ecology

≈ 5 Comments

Tags

art, photography, seasons, southwestern Fleurieu, summer, water, winter

Sun and rain, Winter 2014

Sun and rain, Winter 2014

Watching the light shift across the hills is one of the great pleasures of being on the South Western Fleurieu, and it’s further enhanced by proximity to the sea. On our journeys around the region, we’re regularly exposed to the changes of light over the ocean as the road hooks coastward at places like Lady Bay or Sellicks, or hiking along the cliffs and coast around Second Valley. Summer offers a starkness to the ocean and sky, but I’ve come to love the way sea and sky diffuse together in the winter. Here’s some of what we’ve seen.

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Representing the Block: The farm logo

29 Sunday Jun 2014

Posted by Joel in art & craft, trees

≈ 4 Comments

Tags

art, design, erosion, farm, history, logo, revegetation, southwestern Fleurieu

tbcgreyscalesmlAfter a year and a half, we’ve finally got to developing a visual identity for the farm. While our working name for the farm, “Trees, Bees and Cheese”, is more conceptual than place-based, we wanted the logo to reflect some of the distinctiveness of the farm’s landscape.

Yep, there is wind and rain, but there’s also the symphonic light that rolls across the hills and the late afternoon haze that reduces the sequence of valleys into golden layers of theatre scenery. There are the rolling, low clouds that we ache for in late summer and autumn, then look forward to farewelling by late winter. These tumbling clouds also reference the nearby sea. The lone tree and falling rain suggest how the landscape has been reshaped over the last 180ish years through clearing and subsequent erosion, but also remind us of the resources available in restoration when we harvest rainwater and gather seed. Perhaps in the future we might be able to add some more trees to the logo to reflect the changing reality of the property!

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We also have a black-and-white option, particularly good for stencilling farmy things. We’d love to hear what you reckon, and if you have any ideas for tweaks or adjustments!

New artwork: painting summer

22 Tuesday Apr 2014

Posted by Joel in art & craft, diy, ecology

≈ 4 Comments

Tags

art, ecology, seasons, southwestern Fleurieu, summer

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Second Valley causeway, looking towards Normanville.

A little while ago, it occurred to me that maybe I should give watercolour a crack. The theory was that I’d be able to work fast enough to bang out a painting during toddler naps. In reality, I’ve still only finished a handful of works over the last six months, and as a consequence my skill development has been glacial. That said, it’s still a pleasure to sit down with the brushes and attempt to wrangle the Czech-made watercolour set into South Australia’s less exuberant colour palette.

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Clearing the Junk (aka. Ute-based Art)

19 Sunday Jan 2014

Posted by Joel in art & craft, regeneration, waterways

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Tags

art, erosion, history, recycling, reuse, ute, waste, waterways

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“Tangents in the landscape” (detail), 2014, mixed media installation, fencing wire, ratchet straps and Holden Rodeo ute

A day spent hauling junk out of gullies can put you in a philosophical mood. When we first purchased this property, we were drawn to the erosion gullies filled with generations of farm rubbish with a kind-of masochistic fascination. After a year of hauling, stacking and shunting loads to the dump or recycling depot, today we loaded up our ute with the final bundles of unruly and ancient fencing wire.

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Bye-bye horror horse!

The most recent round of dump trips has also been momentous in that it finally marks the banishment of a terrifying, rusted and threadbare rocking horse from the property. The horror horse, wedged between rusted 44-gallon drums stuffed with irrigation pipe and topped with a decaying mattress, formed one in a series of mobile art installations mounted on the back of the ute, displayed for a brief, one-time-only journey between our block and the Yankalilla dump. A number of more conceptual, minimalist pieces followed shortly after, composed of snarls of fencing wire of assorted vintage. Continue reading →

New designs: Winter is coming!

17 Wednesday Apr 2013

Posted by Joel in art & craft, diy

≈ 2 Comments

Tags

art, design, ecology, kangaroos, seasons, textiles, water, winter

After watching the hills turn dry and crispy over the summer, I don’t think I’ve ever pined so much for the return of a little rain, cool weather and a sun not-quite-so-withering, and all the opportunities they bring.

IsoBrownWebIn that spirit, and inspired by the aesthetic of knitted woolly jumpers, I’ve been working on some new images depicting life on the block. I developed them from sketches on isometric graph paper, so each of the elements is actually composed of little equilateral triangles. Among them you may spot Grey Kangaroos, Stubble Quail scattering beneath a harrier and lorikeets zooming overhead. The colour options reference the dry browns of summer and the blue of a big sky and the nearby sea. Continue reading →

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